Reflections of Violence: The Mirror Trope and Identity in Fiction Film

Abstract

This article examines the representation of violence in the fiction film as a means of engaging with identity and meaning through cathartic experiences. It argues that while real-world violence often lacks inherent purpose, cinematic violence acquires significance within a narrative framework that enables viewers to process complex emotions. Using the mirror trope, and with necessarily brief examples, the study suggests that films not only reflect societal and individual struggles but also actively shape viewers’ understanding of themselves and their ethical beliefs. By connecting Aristotle’s concept of catharsis to contemporary theories of cinematic representation, the article reveals how cinema can transform discomforting portrayals of violence into opportunities for ethical and emotional reflection. The discussion highlights cinema’s dual role as both an art form and a critical space for exploring moral issues, inviting further research on the impact of on-screen violence across diverse cultural and demographic contexts.